
ALBERTO BARAYA, AT MAJORCA’S BIENNAL B
By Álvaro de Benito
Alberto Baraya (Bogotá, Colombia, 1968) presents his project Llatina i Mestral (Catalan for Lateen and Mistral)as part of the B Biennial in Majorca. The work begins with a performative action in which the artist paints directly onto a sail while at sea. The sail becomes a canvas that captures both a physical journey and a conceptual one.

A FULL SCHOLARSHIP FOR COLOMBIAN ARTISTS: MICRO RESIDENCY – A ISLA
The residency invites participants to slow down, immerse themselves in a natural environment, and create space for inner listening and creative Exchange. Application deadline: August 18, 2025.

ARTE LAGUNA PRIZE 2025: INTERNATIONAL AWARD FOR CONTEMPORARY ARTISTS
Now in its 20th edition, the competition invites artists and designers of all nationalities and artistic backgrounds to participate for cash prizes, international residencies, and the opportunity to exhibit at the Arsenale Nord in Venice in 2026. Application deadline: September 10, 2025.

PRISCILLA MONGE UNLEASHES HER EMANCIPATORY CRY AT THE CGAC
By Álvaro de Benito
Priscilla Monge (San José, Costa Rica, 1968) arrives at the Galician Center for Contemporary Art (CGAC) with her exhibition Cuestiones de vida o muerte (Matters of Life and Death). This show brings together works from all stages of the Costa Rican artist’s career, establishing her as a key figure in Central American art through her commitment to social critique.

CASA ALBERTO HEREDIA ANNOUNCES ITS NEW 2025–2026 RESIDENTS
The Museo de Arte Moderno de Buenos Aires has announced the twelve new residents for its August–December 2025 and March–June 2026 periods.

THE CONTEMPLATIVE IN THE LABORIOUS, IN NEW YORK
Apexart presents the work of seven Latin American artists who, through meticulous and repetitive handcraft processes, transform labor into an act of resistance, joy, and the creation of possible futures.

A TECHNOLOGICAL GAZE AT THE PARIETAL ART BY SOFÍA CRESPO
By Álvaro de Benito
Sofía Crespo (Buenos Aires, Argentina, 1991) often centers her work on the use of biology-inspired technology. In her exploration of the common ground between artificial intelligence and the way it generates images, on the one hand, and human perception of the environment, on the other, there is a turning point in the Argentine artist's practice.

THE UNKNOWN AND ITS POETICS AT KINOSAITO
The interdisciplinary art center located in New York presents work shaped by the experience of relating to the foreign in order to build a unique identity.
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